Значение слова "BARBOUR, JOHN" найдено в 2 источниках

BARBOUR, JOHN

найдено в "Catholic encyclopedia"
Barbour, John: translation

Barbour, John
Scottish ecclesiastic and author of 'The Bruce', a historical poem in the early Scottish or Northern English dialect, b. about 1320; d. 1395

Catholic Encyclopedia..2006.

Barbour, John
    John Barbour
     Catholic_Encyclopedia John Barbour
    Scottish ecclesiastic and author of "The Bruce", a historical poem in the early Scottish or Northern English dialect, b. about 1320; d. 1395. He was already Archdeacon of Aberdeen in 1357, an honour not likely to have been attained much before his fortieth year. At various times, 1357, 1364, 1365, 1368, he obtained, originally at the request of King David of Scotland, passports from the King of England for travel to Oxford or to France, presumably for the purpose of special study or research, or for the renewal of old college associations. In 1357 he was appointed by the Bishop of Aberdeen one of the commissioners to meet at Edinburgh and confer abut the ransom from England of David II, captured at Neville's Cross, 1346.In 1373, and occasionally in later years, he was one of the auditors of the exchequer. In 1378, as a reward for his patriotic poem, he was assigned, from the royal rents payable by the city, a perpetual pension of twenty shillings, and in 1388, an additional royal pension for life of £10 Scots from the customs of Aberdeen. He received also from the king £10 in 1377, and £5 in 1386. Innes has pointed out that in addition to these pensions and gifts, and perquisites incidental to the wardship of a minor, Barbour enjoyed the revenue of a prebend and a considerable income as archdeacon. His pension of twenty shillings he left as a foundation for Masses for himself and his parents, to be said by all the priests at the cathedral on the Wednesday after Low Sunday. As Jamieson shows, the pension was not bequeathed to a hospital, but probably reverted to the Crown at the Reformation. The copy of the document assigning his pension to the dean and chapter of Aberdeen may be found in Skeat, along with the forty-eight other documents which establish the facts of Barbour's life.
    Barbour, "the earliest poet and the first detailed historian of Scotland", writing in that northern dialect of Middle English which afterward came to be specifically called Scotch, composed, besides "The Brut" and "The Stewart's Original", which are lost, the long patriotic narrative poem called "The Bruce". This work, upon which Barbour was engaged in 1375, exists in two manuscripts, dated 1487 and 1489, written by John Ramsay, who has been identified with a later prior of the Carthusian monastery at Perth. The second of these copies was made at the request of Simon Lochmalony, vicar of Auchter Monsey, near Perth. An earlier, incomplete manuscript, written by Fenton, a monk of Melrose, in 1369, is not extant. "The Bruce", extending through 6,000 octosyllabic couplets, variously divided into fourteen or twenty books, told to a generation of Scotchmen flushed with victory and the sense of dearly-bought independence the story of the struggles of their grandfathers, sang the glories of freedom, and pictured the civic and knightly virtues of Bruce and Douglas. The narrative runs from the dispute for the crown of Scotland between Balliol and the first Robert, whom Barbour poetically identifies with his grandson, to the death of the Black Douglas in Spain while on his way to the Holy Land with the heart of Bruce. It pictures such events as Bannockburn, the siege of Berwick, the expedition to Ireland, and the wanderings of the king, and sketches the characters of Stewart, Randolph, Bruce, and Douglas. The author finds a place, too, for descriptions of nature, for touches showing the tenderness of the true soldier, for snatches of grim humour or sharp dialogue, for digressions on necromancy and astrology, and for learned allusions to the favourite classic authors of the day. This narrative, which Barbour called a romance, is regarded as being in essential points a faithful history, and was so received by generations of readers. Scott used of its material in "Castle Dangerous", "The Lord of the Isles", and "Tales of a Grandfather". The principal editions of "The Bruce" are those of Pinkerton (Edinburgh, 1790); Jamieson (Edinburgh, 1820); Cosmo Innes (Edinburgh), and, according to more modern requirements of scholarship, that of Professor Skeat for the "Early English Text Society", and the "Early Scottish Text Society". Some fragments on the tale of Troy, and a long poem on the lives of the saints formerly attributed to Barbour are no longer thought to be his work.
    Mackay in Dict. Nat. Biog.; Veitch, Feeling for Nature in Scottish Poetry; Lanier, Music and Poetry.
    J. VINCENT CROWNE
    Transcribed by Susan Birkenseer

The Catholic Encyclopedia, Volume VIII. — New York: Robert Appleton Company..1910.



найдено в "Encyclopedia of medieval literature"
Barbour, John: translation

(ca. 1316–1395)
   John Barbour was a 14th-century Scottish poet, known chiefly for his patriotic 13,000-line verse chronicle The BRUCE (1375), an account of the reign and military victories of the Scottish King Robert the Bruce and his disciple James Douglas, and their role in gaining Scottish independence from English domination. For this contribution he has often been called the father of Scottish poetry. Barbour was probably born in Aberdeen, and aside from his university education, lived most of his life in that city.He was made archdeacon of Aberdeen in about 1357, and in 1364, 1365, and again in 1368, he is thought to have studied in Oxford and in Paris, and possibly to have taught there as well.In 1372, King Robert II appointed Barbour auditor of the Exchequer, a position to which he was reappointed in 1382 and again in 1384. The Bruce became an instant popular success and a symbol of Scottish unity and independence, and has remained so over the years. Although it has been suggested that John Ramsay, the scribe who composed both extant manuscripts of The Bruce (from 1487 and 1489), made substantial alterations to the poem, most scholars still consider it to be Barbour’s, and it is the only poem attributed to him with any certainty. Two other works—The Brut (an account of the legendary history of Britain, based ultimately on GEOFFREY OF MONMOUTH), and The Stewartis Original (a pedigree of the Stewart family from the time of their founder, Banquo)—are mentioned as Barbour’s in Andrew of Wyntoun’s Original Cronykil, but neither of these texts has survived. Three other works have at one time or another been attributed to Barbour: The Troy Book (which has been proven on linguistic grounds not to be Barbour’s), The Lives of the Saints (50 legends that are contemporary with Barbour), and The Alexander Buik (a Scottish rendition of the life of Alexander the Great). There is no certainty that any of these are Barbour’s.
   Bibliography
   ■ Barrow, G.W. S. The Kingdom of the Scots. London: Edward Arnold, 1973.
   ■ ———. Robert the Bruce and the Community of the Realm of Scotland. Los Angeles: University of California Press, 1965.
   ■ Boitani, Piero. English Medieval Narrative in the 13th and 14th Centuries. Cambridge: Cambridge University Press, 1982.
   ■ Ebin, Lois A. “John Barbour’s Bruce: Poetry, History, and Propaganda,” Studies in Scottish Literature 9 (April 1972): 218–242.
   ■ Kinghorn, Alexander M. “Scottish Historiography in the 14th Century: A New Introduction to Barbour’s Bruce,” Studies in Scottish Literature 6 (January 1969): 131–145.
   ■ Mainster, Phoebe A.“How to Make a Hero: Barbour’s Recipe: Reshaping History as Romance,”Michigan Academician 29 (Spring 1988): 225–238.
   ■ Skeat,W.W., ed. The Bruce. 4 vols. EETS e.s. 11, 21, 29, 55. London: Published for the Early English Text Society by N. Trübner, 1870–89.


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