Значение слова "BAPTISM OF CHRIST" найдено в 2 источниках

BAPTISM OF CHRIST

найдено в "Easton's Bible Dictionary"
Baptism of Christ: translation

   Christ had to be formally inaugurated into the public discharge of his offices. For this purpose he came to John, who was the representative of the law and the prophets, that by him he might be introduced into his offices, and thus be publicly recognized as the Messiah of whose coming the prophecies and types had for many ages borne witness.
   John refused at first to confer his baptism on Christ, for he understood not what he had to do with the "baptism of repentance." But Christ said, "Suffer it to be so now,' NOW as suited to my state of humiliation, my state as a substitute in the room of sinners." His reception of baptism was not necessary on his own account. It was a voluntary act, the same as his act of becoming incarnate. Yet if the work he had engaged to accomplish was to be completed, then it became him to take on him the likeness of a sinner, and to fulfil all righteousness (Matt. 3:15).
   The official duty of Christ and the sinless person of Christ are to be distinguished. It was in his official capacity that he submitted to baptism. In coming to John our Lord virtually said, "Though sinless, and without any personal taint, yet in my public or official capacity as the Sent of God, I stand in the room of many, and bring with me the sin of the world, for which I am the propitiation." Christ was not made under the law on his own account. It was as surety of his people, a position which he spontaneously assumed. The administration of the rite of baptism was also a symbol of the baptism of suffering before him in this official capacity (Luke 12:50). In thus presenting himself he in effect dedicated or consecrated himself to the work of fulfilling all righteousness.


найдено в "Dictionary of Renaissance art"
Baptism of Christ: translation

   The scene depicts the establishment of baptism as a sacrament, when Christ stands in the River Jordan and his cousin, St. John the Baptist, pours water over his head as a purifying ritual. Then God the Father appears in the heavens and pronounces that Christ is his son. In art, the scene is usually depicted with the dove of the Holy Spirit descending upon the figures. Examples include Andrea Pisano's quatrefoil gilded bronze relief on the south doors of the Baptistery of Florence (1330-1333) and Piero della Francesca's scene painted in the 1450s (London, National Gallery) as the central panel of a polyptych for the Camaldolese abbey of San Sepolcro. Andrea del Verrocchio's version of c. 1472-1475 (Florence, Uffizi) shows the hands of God releasing the Holy Dove. Two angels, the one on the left executed by Leonardo da Vinci while apprenticed with Verrocchio, kneel in response to the solemnity of the event. Tintoretto's version (c. 1570; Madrid, Prado) is a pretext for the depiction of the sensuous male nude form, while El Greco's (1608-1614; Toledo, Hospital de San Juan Bautista de Afuera) shows an explosion of lines and color in the upper portion where God the Father gives his blessing to his son and angels witness the event. Finally, Gerard David viewed the scene (c. 1502-1507; Bruges, Groeningemuseum) as an opportunity to not only depict the seminude body of Christ but also his legs under water.


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