Biographies of musicians: translation
, INCLUDING STUDIES OF SPECIFIC WORKS
■ Bach, Johann Sebastian, and family Boyd, Malcolm, ed. J. S. Bach. Oxford Composer Companions. Oxford: Oxford University Press, 1999.
■ Butt, John. Bach: Mass in B Minor. Cambridge: Cambridge University Press, 1991.
■ Crist, Stephen A. Bach in America. Urbana: University of Illinois Press, 2002.
■ Du Bouchet, Paule. Magnificat: Jean-Sébastien Bach, le Cantor. Paris: Gallimard, 1991.
■ Dürr, Alfred. Johann Sebastian Bach’s St. John Passion: Genesis, Transmission and Meaning. Trans. Alfred Clayton. Oxford: Oxford University Press, 2000.
■ Forkel, Johann Nikolaus. Johann Sebastian Bach: His Life, Art, and Work. 1st. ed. 1802. [trans] New York: Da Capo Press, 1970.
■ Humphreys, David. The Esoteric Structure of Bach’s Clavierübung III. Cardiff: University College of Cardiff Press, 1983.
■ Leaver, Robin. J. S. Bach as Preacher. St. Louis, Mo.: Concordia, 1982.
■ Melamed, Daniel R., and Michael Marissen. An Introduction to Bach Studies. New York: Oxford University Press, 1998.
■ Meyer, Ulrich. Biblical Quotation and Allusion in the Cantata Libretti of Johann Sebastian Bach. Lanham, Md.: Scarecrow, 1997.
■ The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents. Hans T. David and Arthur Mendel, eds. Rev. and enlarged, ChristophWolff. New York: W. W. Norton, 1998.
■ Schmieder, Wolfgang. Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach: Bach-Werke-Verzeichnis (BWV). Wiesbaden: 1950. 2nd ed. 1990.
■ Schulze, Hans-Joachim, and Chrisoph Wolff. Bach Compendium: Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs (BC).Leipzig: 1985.
■ Spitta, Phillipp. Johann Sebastian Bach: His Work and Influence on the Music of Germany. 3 vols. Trans. Clara Bell and J. A. Fuller-Maitland. Englewood Cliffs, N. J.: Dover, 1992.
■ Stauffer, George B. Bach: The Mass in B Minor (The Great Catholic Mass). Monuments of Western Music. G. B. Stauffer, ed. New York: Schirmer Books, 1997.
■ ———. J. S. Bach as Organist: His Instruments, Music, and Performance Practices. Bloomington: Indiana University Press, 1986.
■ Stinson, Russell. Bach, the Orgelbüchlein. New York: Schirmer Books, 1996.
■ ———. J. S. Bach’s Great Eighteen Organ Chorales. New York: Oxford University Press, 2001.
■ Williams, Peter F. The Organ Music of J. S. Bach. 2nd ed. New York: Cambridge University Press, 2004.
■ Wolff, Christoph. Johann Sebastian Bach: The Learned Musician. New York:W.W. Norton, 2002.
■ Wolff, Christoph, et al. The New Grove Bach Family. New York: W. W. Norton, 1983.
Beethoven, Ludwig van
■ Cooper, Barry. Beethoven. Oxford: Oxford University Press, 2000.
■ Drabkin, William. Beethoven, Missa Solemnis. Cambridge: Cambridge University Press, 1991.
■ Lockwood, Lewis. Beethoven: The Music and the Life. New York: Norton, 2003.
■ Mellers, Wilfrid Howard. Beethoven and the Voice of God. New York: Oxford University Press, 1983.
■ Thayer, Alexander Wheelock. The Life of Beethoven. Ed. Elliott Forbes. 2 vols. Princeton, N. J.: Princeton Unversity Press, 1964.
Berlioz, Hector
■ Bloom, Peter. The Life of Berlioz. Cambridge: Cambridge University Press, 1998.
■ Findlay, Meredith Claire. The Requiem Masses of Luigi Cherubini and Hector Berlioz: Their Place in History. Northampton, Mass.: Smith College, 1974.
■ Rushton, Julian. The Music of Berlioz. Oxford: Oxford University Press, 2001.
Billings, William
■ McKay, David Phares, and Richard Crawford. William Billings of Boston: Eighteenth-Century Composer. Princeton, N. J.: Princeton University Press 1975.
■ Barbour, James Murray. The Church Music of William Billings. 1st ed. 1960. New York: Da Capo Press, 1972.
■ Kroeger, Karl. Catalog of the Musical Works of William Billings. New York: Greenwood, 1991.
Brahms, Johannes
■ Beller-McKenna, Daniel. Brahms and the German Spirit. Cambridge, Mass.: Harvard University Press, 2004.
■ Musgrave, Michael. Brahms, A German Requiem. New York: Cambridge University Press, 1996.
■ Swafford, Jan. Johannes Brahms: A Biography. New York: Alfred A. Knopf, 1997.
Britten, Benjamin
■ Cooke, Mervyn. Britten, War Requiem. New York: Cambridge University Press, 1996.
■ Elliott, Graham. Benjamin Britten: The Spiritual Dimension. London: Oxford University Press, 2006.
■ Kendall, Alan. Benjamin Britten. London: Macmillan, 1973.
■ Rupprecht, Philip. Britten’s Musical Language. Cambridge: Cambridge University Press, 2002.
Byrd, William
■ Andrews, H. K. Technique of Byrd’s Vocal Polyphony. London: Oxford University Press, 1964.
■ Fellowes, Edmund H. William Byrd. London: Oxford University Press, 1948.
■ Holst, Imogen. Byrd. London: Faber, 1972.
■ Kerman, Joseph. The Masses and Motets of William Byrd. Berkeley: University of California Press, 1978.
■ Turbet, Richard. William Byrd: A Guide to Research. Garland Composer Resource Manuals 7. New York: Garland, 1987.
Dufay, Guillaume
■ Cumming, Julie E. The Motet in the Age of Du Fay. New York: Cambridge University Press, 1999.
■ Fallows, David. Dufay. London: Dent, 1982.
■ Gülke, Peter. Guillaume Du Fay: Musik des 15. Jahrhunderts. Stuttgart: Bärenreiter, 2003.
■ Planchart, Alejandro Enrique. "The Early Career of Guillaume Du Fay." Journal of the American Musicological Society 46 (1993): 341–68.
■ Wright, Craig. "Dufay’s Nuper rosarum flores, King Solomon’s Temple, and the Veneration of the Virgin." Journal of the American Musicological Society 47 (1994): 395–441.
Elgar, Edward
■ Foster, Michael. Elgar’s Gigantic Work: The Story of the Apostles Trilogy. London: Thames, 1995.
■ Grimley, Daniel M., and Julian Rushton, eds. The Cambridge Companion to Elgar. Cambridge: Cambridge University Press, 2005.
■ Kennedy, Michael. The Life of Elgar. Cambridge: Cambridge University Press, 2004.
■ McGuire, Charles E. Elgar’s Oratorios: The Creation of an Epic Narrative. Aldershot, Hampshire, England: Ashgate, 2002.
■ Moore, Jerrold N. Edward Elgar: A Creative Life. Oxford: Oxford University Press, 1984.
■ Young, Percy M. Elgar, Newman, and the Dream of Gerontius: In the Tradition of English Catholicism. Aldershot, Hampshire, England: Scolar Press, Ashgate, 1995.
Handel, George Frederic
■ Burrows, Donald. Handel. The Master Musicians Series. Stanley Sadie, ed. New York: Schirmer, 1994.
■ ———. "Handel and the 1727 Coronation." The Musical Times 118 (1977): 269.
■ ———. Handel and the English Chapel Royal. London: Church Music Society, 1985. Rpt. London: Oxford University Press, 2005.
■ ———. Handel: Messiah. Cambridge Music Handbooks. Julian Rushton, gen. ed. Cambridge: Cambridge University Press, 1991.
■ Dean, Winton. Handel’s Dramatic Oratorios and Masques. London: Oxford University Press, 1959.
■ Deutsch, Otto Erich. Handel: A Documentary Biography. London: Adam and Charles Black, 1955.
■ Eisen, Walter and Margret Eisen. Händel-Handbuch, herausgegeben vom Kuratorium der Georg-Friedrich-Hä ndel-Stiftung. 4 vols. Kassel: Bärenreiter, 1978–1985.
■ Hurley, David R. Handel’s Muse: Patterns of Creation in his Oratorios and Musical Dramas, 1743–1751. Oxford: Oxford University Press, 2001.
■ Parker, Mary Ann. G. F. Handel: A Guide to Research. New York: Routledge, 2005.
■ Shaw, Watkins. A Textual and Historical Companion to Handel’s "Messiah." London: Novello, 1965.
■ Shaw, Watkins, and Graham Dixon. "Handel’s Vesper Music. The Musical Times 126 (1985): 132.
■ Tovey, Donald Francis. "Handel: ‘Israel in Egypt."’ Essays in Music Analysis Vol. 5. London: Oxford University Press, 1937.
■ Young, Percy M. The Oratorios of Handel. London: Dobson, 1949.
Haydn, Franz Joseph
■ Drury, Jonathan D. Haydn’s Seven Last Words: An Historical and Critical Study. Urbana, Ill.: Drury, 1975.
■ Grave, Floyd K. and Margaret G. Grave. Franz Joseph Haydn: A Guide to Research. New York: Garland, 1990.
■ Haydn, Joseph, et al. The Creation and the Seasons: The Complete Authentic Sources for the Wordbooks. Cardiff: University College of Cardiff Press, 1985.
■ MacIntyre, Bruce C. Haydn, The Creation. New York: Schirmer and Prentice Hall International, 1998.
■ Temperley, Nicholas. Haydn, The Creation. Cambridge: Cambridge University Press, 1991.
Josquin des Prez
■ Elders, Willem, and Frits De Haen, eds. Proceedings of the International Josquin Symposium, Utrecht 1986. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis, 1991.
■ Godt, Irving. "Motivic Integration in Josquin’s Motets," Journal of Music Theory 21 (1977): 264–92.
■ Lowinsky, Edward E., and Bonnie Blackburn, eds. Josquin Des Prez: Proceedings of the International Festival-Conference Held at The Julliard School at Lincoln Center in New York City, 22–25 June 1971. London: Oxford University Press, 1976.
■ Noble, Jeremy. "The Function of Josquin’s Motets." Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 35 (1985): 9–31.
■ Osthoff, Helmuth. Josquin Desprez. 2 vols. Tutzing: Schneider, 1962–1965.
■ Robinson, Sydney Charles. Josquin des Prez: A Guide to Research. New York: Garland, 1983.
■ Sherr, Richard, ed. Josquin Companion. New York: Oxford University Press, 2000.
Lassus, Orlandus (Orlando di Lasso, Roland Lassus)
Bergquist, Peter, ed. Orlando di Lasso Studies. Cambridge: Cambridge University Press, 1999.
■ Bötticher, Wolfgang. Orlando di Lasso und seine Zeit, 1532–1594. Kassel: Bärenreiter, 1958.
■ Bossuyt, Ignace, Eugeen Schreurs, and Annelies Wouters. eds. Orlandus Lassus and His Time: Colloquium Proceedings, Antwerpen 24–26.08.1994. Peer: Alamire Foundation, 1995.
■ Crook, David. Orlando DiLasso’s Imitation Magnificats for Counter-Reformation Munich. Princeton, N. J.: Princeton University Press, 1994.
■ Erb, James. Orlando di Lasso: A Guide to Research. New York: Garland, 1990.
■ Leuchtmann, Horst. Orlando di Lasso. 2 vols. Wiesbaden: Breitkopf & Härtel, 1976–1977.
■ Roche, Jerome. Lassus. Oxford Studies of Composers 19. London: Oxford University Press, 1982.
Machaut, Guillaume de
■ Earp, Lawrence M. Guillaume de Machaut: A Guide to Research. New York: Garland, 1995.
■ Leech-Wilkinson, Daniel. Machaut’s Mass: An Introduction. Oxford: Clarendon Press, 1990.
■ Robertson, Anne Walters. Guillaume de Machaut and Reims: Context and Meaning in His Musical Works. Cambridge: Cambridge University Press, 2002.
Mendelssohn, Felix
■ Edwards, Frederick George. The History of Mendelssohn’s Oratorio "Elijah." London: Novello, Ewer, 1896.
■ Mercer-Taylor, Peter. The Cambridge Companion to Mendelssohn. Cambridge: Cambridge University Press, 2004.
■ Todd, R. Larry. Mendelssohn and His World. Princeton, N. J.: Princeton University Press, 1991.
■ Werner, Jack. Mendelssohn’s "Elijah"; A Historical and Analytical Guide. London: Chappell, 1965.
Messiaen, Olivier
■ Bruhn, Siglind. Messiaen’s Language of Mystical Love. New York: Garland, 1998.
■ Hill, Peter. The Messiaen Companion. Portland, Ore.: Amadeus Press, 1994.
■ Griffiths, Paul. Olivier Messiaen and the Music of Time. Ithaca, N. Y.: Cornell University Press, 1985.
■ Morris, David. Oliver Messiaen: A Comparative Bibliography of Material in the English Language. Coleraine, Northern Ireland: University of Ulster, 1991.
■ Nichols, Roger. Messiaen. Oxford: Oxford University Press, 1986.
Monteverdi, Claudio
■ Adams, K. Gary, and Dyke Kiel. Claudio Monteverdi: A Guide to Research. New York: Garland, 1989.
■ Arnold, Denis. Monteverdi. 3rd ed. Rev. Tim Carter. 1st ed. 1963. London: J. M. Dent, 1990.
■ Chafe, Eric, Monteverdi’s Tonal Language. New York: Schirmer, 1992.
■ Fabri, Paolo. Monteverdi. 1st ed. 1985. Trans. Tim Carter. Cambridge: Cambridge University Press, 1994.
■ Kurtzman, Jeffrey. The Monteverdi Vespers of 1610: Music, Context, Performance. New York: Oxford University Press, 1999.
■ Whenham, John. Monteverdi Vespers (1610). Cambridge: Cambridge University Press, 1997.
Mozart, Wolfgang Amadeus
■ Rosselli, John. The Life of Mozart. Cambridge: Cambridge University Press, 1998.
■ Gutman, Robert W. Mozart: A Cultural Biography. New York: Harcourt Brace, 1999.
■ Solomon, Maynard. Mozart: A Life. New York: HarperCollins, 1995.
■ Wolff, Christoph. Mozart’s Requiem: Historical and Analytical Studies, Documents, Score. Berkeley: University of California Press, 1994.
Palestrina, Giovanni da
■ Bianchi, Lino. Iconografia Palestriniana: Giovanni Pierluigi da Palestrina: Immagini e Documenti del suo Tempo. Lucca, Italy: Libreria Musicala Italiana, 1994.
■ Boyd, Malcolm. Palestrina’s Style: A Practical Introduction. Oxford: Oxford University Press, 1973.
■ Garratt, James. Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music. Cambridge: Cambridge University Press, 2002.
■ Hall, Alison. Palestrina: an Index to the Casimiri, Kalmus, and Haberl Editions. Philadelphia, Pa.: Music Library Association, 1980.
■ Jeppesen, Knud. Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century. Trans. Glen Haydon. New York: Prentice-Hall, 1939. Rpt. Dover, 1992.
■ Lockwood, Lewis, ed. Palestrina Pope Marcellus Mass. Norton Critical Scores. New York: W. W. Norton, 1975.
■ Marvin, Clara. Giovanni Pierluigi da Palestrina: A Guide to Research. New York: Routledge, 2002.
■ Roche, Jerome. Palestrina. London: Oxford University Press, 1971.
Poulenc, Francis
■ Keck, George. Francis Poulenc: A Bio-bibliography. New York: Greenwood, 1990.
■ Mellers, Wilfrid H. Francis Poulenc. Oxford: Oxford University Press, 1993.
■ Schmidt, Carl B. Entrancing Muse: A Documented Biography of Francis Poulenc. Hillsdale, N. Y.: Pendragon Press, 2001.
Purcell, Henry
■ Adams, Martin. Henry Purcell: The Origins and Development of his Musical Style. Cambridge: Cambridge University Press, 1995.
■ Homan, Peter. Henry Purcell. Oxford: Oxford University Press, 1994.
■ Zimmerman, Franklin B. Henry Purcell: A Guide to Research. New York: Garland, 1989.
Schütz, Heinrich
■ Buelow, George J. A Schütz Reader: Documents on Performance Practice. New York: American Choral Foundation, 1985.
■ Moser, Hans Joachim. Heinrich Schütz: His Life and Work. Trans. and ed. Derek McCulloch. New York: St. Martin’s Press, 1967. 1st ed. 1959.
■ Skei, Allen B. Heinrich Schütz: A Guide to Research. New York: Garland Press, 1981.
■ Smallman, Basil. Schütz. New York: Oxford University Press, 2000.
Stravinsky, Igor
■ Cross, Jonathan. The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press, 2003.
■ Joseph, Charles M. Stravinsky Inside Out. New Haven, Conn.: Yale University Press, 2001.
■ Walsh, Stephen. Stravinsky: A Creative Spring: Russia and France, 1882–1934. New York: Alfred A. Knopf, 1999.
■ Zama, Alberta. Strawinksy e il Sacro. Florence: Athaneum, 1997.
Vaughn Williams, Ralph
■ Day, James. Vaughan Williams. London: J. M. Dent, 1972.
■ Hurd, Michael. Vaughan Williams. London: Faber and Faber, 1970.
■ Kennedy Michael. The Works of Ralph Vaughan Williams. London: Oxford University Press, 1964.
Verdi, Giuseppe
■ Phillips-Matz, Mary Jane. Verdi, A Biography. Oxford: Oxford University Press, 1993.
■ Rosen, David. Verdi, Requiem. Cambridge: Cambridge University Press, 1995.
■ Rosselli, John. The Life of Verdi. New York: Cambridge University Press, 2000.
Wesley, Charles, John and Samuel
■ Dallimore, Arnold A. A Heart Set Free: The Life of Charles Wesley. Wheaton, Ill: Crossway Books, 1988.
■ Horton, Peter. Samuel Sebastian Wesley: A Life. London: Oxford University Press, 2004.
■ Kassler, Michael, and Philip Olleson, eds. Samuel Wesley (1766–1837): A Source Book. Burlington, Vt.: Ashgate, 2001.
■ Olleson, Philip. Samuel Wesley: The Man and His Music.Woodbridge, Suffolk, England: Boyden Press, 2003.
■ Routley, Erik. The Musical Wesleys. New York: Oxford University Press, 1968.
■ Young, Carlton R. Music of the Heart: John & Charles Wesley on Music and Musicians: An Anthology. Carol Stream, Ill.: Hope, 1995.
Others
■ Adrian, Thomas. Górecki. Oxford: Oxford University Press, 1997.
■ Allis, Michael. Parry’s Creative Process. Aldershot, Hampshire, England: Ashgate, 2003.
■ Arnold, Ben. The Liszt Companion. Westport, Conn.: Greenwood, 2002.
■ Arnold, Denis. Giovanni Gabrieli and the Music of the Venetian High Renaissance. Oxford: Oxford University Press, 1979.
■ Beckerman, Michael B. Dvořák and his World. Princeton, N. J.: Princeton University Press, 1993.
■ Benham, Hugh. John Taverner: His Life and Music. Aldershot, Hampshire, England: Ashgate, 2003.
■ Benser, Caroline C. and David F. Urrows. Randall Thompson: A Bio-Bibliography. Westport, Conn.: Greenwood, 1991.
■ Bent, Margaret. Dunstaple. London: Oxford University Press, 1981.
■ Bianchi, Lino. Carissimi, Stradella, Scarlatti e l’Oratorio Musicale. Rome: De Santis, 1969.
■ Brown, David. Thomas Weelkes: A Biographical and Critical Study. New York: Praeger, 1969.
■ Bumgardner, Thomas A. Norman Dello Joio. Boston: Twayne, 1986.
■ Burkholder, J. Peter. Charles Ives, the Ideas Behind the Music. New Haven, Conn.: Yale University Press, 1985.
■ Cessac, Catherine. Marc-Antoine Charpentier. Trans. E. Thomas Glasow. Portland, Ore.: Amadeus, 1995.
■ Chadwick, Henry. Boethius, the Consolations of Music, Logic, Theology, and Philosophy. Oxford: Clarendon Press and Oxford University Press, 1981.
■ Charteris, Richard. Giovanni Gabrieli: A Thematic Catalogue of His Music. Thematic
■ Catalogue Series 20. Stuyvesant, N. Y.: Pendragon Press, 1996.
■ Clarke, F. R. C. Healey Willan: Life and Music. Toronto: University of Toronto Press, 1983.
■ Cooper-White, Pamela. Schoenberg and the God-idea: The Opera Moses und Aron. Ann Arbor, Mich: UMI Research Press, 1985.
■ Copley, I. A. The Music of Charles Wood: A Critical Study. London: Thames, 1978.
■ Cramer, Eugene C. Studies in the Music of Tomás Luis de Victoria. Aldershot, Hampshire, England: Ashgate, 2001.
■ ———. Tomás Luis de Victoria: A Guide to Research. New York: Garland, 1998.
■ Crews, C. Daniel. Johann Friedrich Peter and His Times. Winston-Salem, N. C.: Moravian Music Foundation, 1990.
■ Cross, Charlotte M., and Russell A. Berman. Political and Religious Ideas in the Works of Arnold Schoenberg. New York: Garland, 2000.
■ Davis, Paul. Isaac Watts: His Life and Works. New York: Dryden, 1943.
■ De Boer, Kee, and John B. Ahouse. Daniel Pinkham: A Bio-Bibliography. New York: Greenwood, 1988.
■ Dibble, Jeremy. C. Hubert H. Parry: His Life and Music. New York: Clarendon Press and Oxford University Press, 1992.
■ Dirksen, Pieter. The Keyboard Music of Jan Pieterszoon Sweelinck: Its Style, Significance and Influence. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1997.
■ Dirksen, Pieter. Sweelinck Studies: Proceedings of the International Sweelinck Symposium, Utrecht 1999. Utrecht: STIMU, Foundation for Historical Performance Practice, 2002.
■ Dixon, Graham. Carissimi. Oxford: Oxford University Press, 1986.
■ Doe, Paul. Tallis. Oxford Studies of Composers 4. London: Oxford University Press, 1968.
■ Ebrecht, Ronald. Maurice Duruflé, 1902–1986: The Last Impressionist. Lanham, Md.: Scarecrow, 2002.
■ Findlay, James F. Dwight L. Moody: American Evangelist, 1837–1899. Chicago: University of Chicago Press, 1969.
■ Fitch, Fabrice. Johannes Ockeghem, Masses and Models. Paris: H. Champion, 1997.
■ Garside, Charles. Zwingli and the Arts. New Haven, Conn.: Yale University Press, 1966.
■ Gibbs, Christopher H. The Life of Schubert. Cambridge: Cambridge University Press, 2000.
■ Guttman, Hadassah. The Music of Paul Ben-Haim: A Performance Guide. Metuchen, N. J.: Scarecrow, 1992.
■ Halbreich, Harry and Reinhard G. Pauly. Arthur Honegger. Portland, Ore.: Amadeus Press, 1999.
■ Hamilton, Kenneth, ed. The Cambridge Companion to Liszt. Cambridge: Cambridge University Press, 2005.
■ Hammond, Frederick. Girolamo Frescobaldi. Cambridge, Mass.: Harvard University Press, 1983.
■ ———. Girolamo Frescobaldi: a Guide to Research. New York: Garland, 1988.
■ Hand, Colin. John Taverner: His Life and Music. London: Eulenburg Books, 1978.
■ Harley, John. Orlando Gibbons and the Gibbons Family of Musicians. Aldershot, Hampshire, England: Ashgate, 1999.
■ Harrán, Don. Salamone Rossi: Jewish Musician in Late Renaissance Mantua. Oxford: Oxford University Press, 1999.
■ Heller, Karl, and David Marinelli. Antonio Vivaldi: The Red Priest of Venice. New York: Amadeus Press, 1997.
■ Hillier, Paul. Arvo Pärt. Oxford: Oxford University Press, 1997.
■ Hitchcock, H. Wiley. Marc-Antoine Charpentier. Oxford: Oxford University Press, 1990.
■ Hofmann, John. Flor Peeters, His Life and His Organ Works. Fredonia, N. Y.: Birchwood, 1978.
■ Howes, Frank Stewart. The Music of William Walton. London: Oxford University Press, 1973.
■ Johnson, Cuthbert. Prosper Gueranger (1805–1875): A Liturgical Theologian: An Introduction to his Liturgical Writings and Work. Rome: Pontificio Ateneo S. Anselmo, 1984.
■ Jones, Andrew V. The Motets of Carissimi. Ann Arbor, Mich.: UMI Research Press, 1982.
■ Jones, Ralph H. Charles Albert Tindley, Prince of Preachers. Nashville, Tenn.: Abingdon Press, 1982.
■ Josephson, David S. John Taverner: Tudor Composer. Ann Arbor, Mich.: UMI Research Press, 1979.
■ Keeble, Brian, ed. The Music of Silence: A Composer’s Testament/John Tavener. London: Faber and Faber, 1999.
■ Kemp, Ian. Tippett, the Composer and His Music. London: Eulenburg Books and Da Capo Press, 1984.
■ King, Charles. W. Frank Martin: A Bio-Bibliography. New York: Greenwood, 1990.
■ Kirkman, Andrew and Dennis Slavin. Binchois Studies. Oxford: Oxford University Press, 2000.
■ Klessmann, Eckart. Telemann in Hamburg: 1721–1767. Hamburg: Hoffman und Campe, 1980.
■ Labounsky, Ann. Jean Langlais: The Man and his Music. Portland, Ore.: Amadeus Press, 2000.
■ La Croix, Richard R. Augustine on Music: An Interdisciplinary Collection of Essays. Lewiston, N. Y.: Mellen Press, 1988.
■ Morosan, Vladimir. "A Stranger in a Strange Land: Tchaikovsky as a Composer of Church Music." Tchaikovsky and His Contemporaries: A Centennial Symposium. Ed. Alexander Mihailovic. Westport, Conn.: Greenwood, 1999, pp. 197–227.
■ Maier, Elisabeth. Anton Bruckner zum Gedenken. Vienna: Wiener Katholische Akademie, 1997.
■ Matthews, Theodore K. The Masses of Anton Bruckner: A Comparative Analysis. Ann Arbor, Mich.: University Microfilms, 1975.
■ Mattos, Cleofe Person de. José Maurício Nunes Garcia: Biografia. Rio de Janeiro: Ministéro da Cultura, 1997.
■ McGrath, Alister E. A Life of John Calvin. New York: Blackwell, 1990.
■ Meconi, Honey. Pierre de la Rue and Musical Life at the Hapsburg-Burgundian Court. Oxford: Oxford University Press, 2003.
■ Minear, Paul Sevier. Death Set to Music: Masterworks by Bach, Brahms, Penderecki, Bernstein. Atlanta, Ga.: John Knox Press, 1987.
■ Murray, Michael. Marcel Dupré, the Work of a Master Organist. Boston: Northeastern University Press, 1985.
■ Nectoux, Jean Michel. Gabriel Fauré: A Musical Life. Cambridge: Cambridge University Press, 1991.
■ Newbould, Brian. Schubert, The Music and the Man. Berkeley: University of California Press, 1997.
■ Noske, Frits. Sweelinck. Oxford: Oxford University Press, 1988.
■ Osmond-Smith, David. Berio. Oxford: Oxford University Press, 1991.
■ Palmer, Christopher. Herbert Howells: A Centenary Celebration. London: Thames, 1992.
■ Patterson, Donald L., and Janet L. Patterson. Vincent Persichetti: A Bio-Bibliography. New York: Greenwood, 1988.
■ Pemberton, Carol A. Lowell Mason: A Bio-Bibliography. New York: Greenwood, 1988.
■ Peterson, John W., and Richard Engquist. The Miracle Goes On. Grand Rapids, Mich.: Zondervan, 1976.
■ Peyser, Joan. Bernstein: A Biography. Rev. ed. New York: Billboard Books, 1998.
■ Phillips, Edward R. Gabriel Fauré: A Guide to Research. New York: Garland, 1999.
■ Picker, Martin. Johannes Ockeghem and Jacob Obrecht: A Guide to Research. New York: Garland, 1988.
■ Poznansky, Alexander and Brett Langston. The Tchaikovsky Handbook: A Guide to the Man and His Music. Bloomington: Indiana University Press, 2002.
■ Pritchard, Brian W. Antonio Caldara: Essays on His Life and Times. Aldershot, Hampshire, England: Scolar Press, 1987.
■ ———. Henricus Isaac: A Guide to Research. New York: Garland, 1991.
■ Rifkin, Joshua. North German Baroque Masters: Schütz, Froberger, Buxtehude, Purcell, Telemann. London: Macmillan, 1985.
■ Robinson, Ray, and Regina Chlopicka, eds. Studies in Penderecki. Princeton, N. J.: Prestige, 1998.
■ Rubio, Samuel. Crisóbal de Morales: Estudio Crítico de su Polifonia. Madrid: Biblioteca "La Ciudad de Dios," 1969.
■ Saffle, Michael. Franz Liszt: A Guide to Research. New York: Routledge, 2004.
■ Sankey, Ira D. My Life and the Story of the Gospel Hymns and of Sacred Songs and Solos. New York: Harper, 1906. Rpt. AMS Press, 1974.
■ Sarwas, Joachim. Helmut Bornefeld Studien zu seinem "Choralwerk" mit einem Verzeichnis seiner Werke. Frankfurt am Main: Lang, 1991.
■ Sawkins, Lionel. "Chronology and Evolution of the Grand Motet at the Court of Louis XIV: Evidence from the Livres du Roi and the Works of Perrin, the sousmaîtres and Lully." Jean-Baptiste Lully and the Music of the French Baroque. Ed. J. H. Heyer. Cambridge: Cambridge University Press, 1989: 41–79
■ Schwerm, Jules. Got to Tell It: Mahalia Jackson, Queen of Gospel. Oxford: Oxford University Press, 1992.
■ Scott, R. H. F. Jean-Baptiste Lully. London: Owen, 1973.
■ Selfridge-Field, Eleanor. The Music of Benedetto and Alessandro Marcello: A Thematic Catalogue with Commentary on the Composers, Works and Sources. New York: Oxford University Press, 1990.
■ Short, Michael. Gustav Holst: The Man and His Music. Oxford: Oxford University Press, 1990.
■ Smith, Rollin. Saint-Saëns and the Organ. Stuyvesant, N. Y.: Pendragon Press, 1992.
■ ———. Toward an Authentic Interpretation of the Organ Works of César Franck. Hillsdale, N. Y.: Pendragon Press, 2002.
■ Snyder, Kerala J. Dietrich Buxtehude, Organist in Lübeck. New York: Schirmer, 1987.
■ Steed, Graham. The Organ Works of Marcel Dupré. Stuyvesant, N. Y.: Pendragon Press, 1999.
■ Steiman, Sidney. Custom and Survival: A Study of the Life and Work of Rabbi Jacob Molin (Moelln) Known as the Maharil (c. 1360–1427), and His Influence in Establishing the Ashkenazic Minhag (Customs of German Jewry). New York: Bloch, 1963.
■ Swafford, Jan. Charles Ives: A Life With Music. New York: Norton, 1996.
■ Thomerson, Kathleen. Jean Langlais: A Bio-Bibliography. New York: Greenwood, 1988.
■ Tomaszewksi, Mieczyslaw, ed. The Music of Krzysztof Penderecki: Poetics and Reception. Cracow: Akademia Muzyczna w Krakowie, 1995.
■ Tunley, David. François Couperin and "the Perfection of Music." Aldershot, Hampshire, England: Ashgate, 2004.
■ Vidali, Carole Franklin. Alessandro and Domenico Scarlatti: A Guide to Research. New York: Garland, 1993.
■ Vogelsänger, Siegfried. Michael Praetorius beim Wort genommen: zur Entstehungsgeschichte seiner Werke. Aachen: Herodot Rader Verlag, 1987.
■ Voss, Hans Dieter. Arthur Honegger, "Le Roi David": Ein Beitrag zur Geschichte des Oratoriums im 20. Jahrhundert. Munich: Musikverlag Katzbichler, 1983.
■ Warren, Edwin B. Life and Works of Robert Fayrfax, 1464–1521. Musicological Studies and Documents 22. Dallas, Tex.: American Institute of Musicology, 1969.
■ Webber, Geoffrey. North German Church Music in the Age of Buxtehude. Oxford: Oxford University Press and Clarendon Press, 1996.
■ Wegman, Robert C. "Another ‘Imitation’ of Busnoys’s Missa L’Homme armé: and Some Observations on Imitatio in Renaissance Music. Journal of the Royal Musicological Association 114 (1989): 189–202.
■ ———. Born for the Muses: The Life and Masses of Jacob Obrecht. Oxford: Clarendon Press, 1996.
■ Weyer, Martin. Die Orgelwerke Joseph Rheinbergers: Ein Handbuch für Organisten. Wilhelmshaven: F. Noetzel Verlag, 1994.
■ ———. Die Orgelwerke Max Regers: Ein Handbuch für Organisten. Wilhelmshaven: F. Noetzel Verlag, 1989.
■ Zimmermann, Petra. Musik und Text in Max Regers Chorwerken ‘grossen Styls.’ Wiesbaden: Breitkopf & Härtel, 1997.
STUDIES WITHIN SPECIFIC TRADITIONS
I. Christian
■ Adey, Lionel. Hymns and the Christian Myth. Vancouver: University of British Columbia Press, 1986.
■ Arnold, Corliss Richard. Organ Literature: A Comprehensive Survey. Metuchen, N. J., Scarecrow, 1973.
■ Bradshaw, Murray C. The Origin of the Toccata. Dallas, Tex.: American Institute of Musicology, 1972.
■ Douglass, Fenner. The Language of the Classical French Organ: A Musical Tradition Before 1800. New Haven, Conn.: Yale University Press, 1978.
■ Guentert, Kenneth. The Christian Music Directories. San Jose, Calif.: Resource Publications, 1993.
■ Hughes, Charles H. American Hymns Old and New. Vol. 2. New York: Columbia University Press, 1980.
■ Johanson, John H. Moravian Hymnody. Winston-Salem, N. C.: Moravian Music Foundation, 1980.
■ Lovelace, Austin. Anatomy of Hymnody. Abingdon Press, 1965.
■ McKinnon, James W. Music in Early Christian Literature. Cambridge: Cambridge University Press, 1987.
■ Ochse, Orpha Caroline. The History of the Organ in the United States. Bloomington: Indiana University Press, 1975.
■ Redman, Robb. The Great Worship Awakening: Singing a New Song in the Postmodern Church. San Francisco: Jossey-Bass, 2002.
■ Reynolds, William. Survey of Christian Hymnody. 3rd ed. Carol Stream, Ill.: Hope Publishing, 1987.
■ Routley, Erik. The Music of Christian Hymns. Chicago: G.I.A. Publications, 1981.
■ ———. Panorama of Christian Hymnody. Minneapolis, Minn.: Liturgical Press, 1979.
■ Schlick, Arnolt. Spiegel der Orgelmacher und Organisten. Trans. Elizabeth Berry Barber. Buren, Netherlands, 1980.
■ Sumner, William Leslie. The Organ: Its Evolution, Principles of Construction and Use. 4th ed. New York: St. Martin’s Press, 1981.
■ Thistlethwaite, Nicholas, and Geoffrey Webber, eds. The Cambridge Companion to the Organ. Cambridge: Cambridge University Press, 1998.
■ Wackernagel, Philipp. Das deutsche Kirchenlied von der ältesten Zeit bis zu Anfang es 17. Jahrhunderts. 5 vols. Leipzig: Teubner, 1864–1877. Rpt.: Hildesheim: Olms, 1964.
■ Wenk, Arthur. Musical Resources for the Revised Common Lectionary. Metuchen, N. J.: Scarecrow, 1994.
■ Whitney, Craig R. All the Stops: The Glorious Pipe Organ and Its American Masters. New York: Public Affairs, 2003.
■ Williams, Peter F. The European Organ, 1450–1850. London: Batsford, 1966
■ ———. A New History of the Organ from the Greeks to the Present Day. Bloomington: Indiana University Press, 1980.
■ ———. The Organ in Western Culture, 750–1250. Cambridge: Cambridge University Press, 1993.
ROMAN CATHOLIC
1. General
■ Day, Thomas. Why Catholics Can’t Sing: The Culture of Catholicism and the Triumph of Bad Taste. New York: Crossroad, 1992.
■ Fellerer, Karl Gustav. The History of Catholic Church Music. Trans. Francis A. Brunner. 1st printing 1961. Westport, Conn.: Greenwood, 1979.
■ Hayburn, Robert F. Papal Legislation on Sacred Music 95 A. D. to 1977 A. D. Collegeville, Minn.: Liturgical Press, 1979.
■ Higginson, J. Vincent. A Handbook for American Catholic Hymnals. Springfield, Tex.: Hymn Society of America, 1976.
■ Nohl, Paul-Gerhard. Lateinische Kirchenmusiktexte: Geschichte, übersetzung, Kommentar. Kassel: Bärenreiter, 1996.
■ Roche, Jerome L. North Italian Church Music in the Age of Monteverdi. Oxford: Oxford University Press, 1984.
■ Scott, Darwin Floyd. The Roman Catholic Liturgy: Liturgical Books: A Musical Guide. Los Angeles: University of California, 1980.
■ Terrien, Samuel L., and Bruce Gebert. The Magnificat: Musicians as Biblical Interpreters. New York: Paulist Press, 1995.
2. Chant
■ Bailey, Terence. The Ambrosian Alleluias. Egham, Surrey: Plainsong & Mediaeval Music Society, 1983.
■ ———. Antiphon and Psalm in the Ambrosian Office. London: Institute of Medieval Music, 1994.
■ ———. The Transitoria of the Ambrosian Mass: Compositional Process in Ecclesiastical Chant. Ottawa: Institute of Mediaeval Music, 2003.
■ Bailey, Terence, and Paul Merkley. The Antiphons of the Ambrosian Office. Ottawa: Institute of Mediaeval Music, 1989.
■ Barr, Cyrilla. The Monophonic Lauda and the Lay Religious Confraternities of Tuscany and Umbria in the Late Middle Ages. Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1988.
■ Berschin, Walter, and David Hiley. Die Offizien des Mittelalters: Dichtung und Musik. Tutzing: Schneider, 1999.
■ Bryden, John R., and David G. Hughes. An Index of Gregorian Chant. Cambridge, Mass.: Harvard University Press, 1969.
■ Carroll, Joseph R. The Technique of Gregorian Chironomy. Toledo: Gregorian Institute of America, 1955.
■ Chevalier, Ulysse. Repertorium Hymnologicum: Catalogue de chants, hymnes, proses, séquences, tropes en usage dans l’église latine depuis les origines jusqu’à nos jours. 6 vols. Louvain, Belgium: Société des Bollandistes, 1892–1920. Rpt. 1959.
■ Crocker, Richard L. The Early Medieval Sequence. Berkeley: University of California Press, 1977.
■ ———. An Introduction to Gregorian Chant. New Haven, Conn.: Yale University Press, 2000.
■ Evans, Paul. The Early Trope Repertory of Saint Martial de Limoges. Princeton, N. J.: Princeton University Press, 1970.
■ Fassler, Margot E. and Rebecca Baltzer, eds. The Divine Office in the Latin Middle Ages: Methodology and Source Studies, Regional Developments, Hagiography: Written in Honor of Professor Ruth Steiner. New York: Oxford University Press, 2000.
■ Gallagher, Sean. Western Plainchant in the First Millenium: Studies in the Medieval Liturgy and Its Music. Aldershot, Hampshire, England: Ashgate, 2003.
■ Gajard, Dom Joseph. The Solesmes Method: Its Fundamental Principles and Practical Rules of Interpretation. Trans. R. Ecile Gabain. Collegeville, Minn.: Liturgical Press, 1960.
■ Greene, Richard L. ed. The Early English Carols. Oxford: Clarendon Press, 1935; rev. 1977.
■ Haberl, Ferdinand. Das gregorianische Alleluia der heiligen Messe. Regensburg: n.p., 1983.
■ Hiley, David. Western Plainchant: A Handbook. Oxford: Clarendon Press; New York: Oxford University Press, 1993.
■ Jeffrey, Peter. Ethnomusicology in the Study of Gregorian Chant. Chicago: University of Chicago Press, 1995.
■ ———. "Liturgical Chant Bibliography." Plainsong and Medieval Music 1 (1992): 175–196.
■ ———. Prophecy Mixed with Melody: From Early Christian Psalmody to Gregorian Chant. (forthcoming)
■ Jeffrey, Peter, ed. The Study of Medieval Chant: Paths and Bridges, East and West: in Honor of Kenneth Levy. Woodbridge, Suffolk, England: Boydell Press, 2001.
■ Karp, Theodore. An Introduction to the Post-Tridentine Mass Proper. Middleton, Wis.: American Institute of Musicology, 2005.
■ ———. Aspects of Orality and Formularity in Gregorian Chant. Evanston, Ill: Northwestern University Press, 1998.
■ Kelly, Thomas F. The Beneventan Chant. New York: Cambridge University Press, 1989.
■ ———. Plainsong in the Age of Polyphony. Cambridge: Cambridge University Press, 1992.
■ Levy, Kenneth. Gregorian Chant and the Carolingians. Princeton, N. J.: Princeton University Press, 1998.
■ Markus, R. A. Gregory the Great and His World. New York: Cambridge University Press, 1997.
■ McKinnon, James. The Advent Project: The Later Seventh-Century Creation of the Roman Mass Proper. Berkeley:: University of California Press, 2000.
■ Nowacki, Edward. "Antiphonal Psalmody in Christian Antiquity and Early Middle Ages." Essays on Medieval Music. Graeme M. Boone, ed. Cambridge: Harvard University Press, 1995. (293–294).
■ Odelman, Eva. Les Prosules Limousines de Wolfenbüttel: Edition Critique des Prosules de l’Alleluia du Manuscrit Wolfenbüttel. Stockholm: Almqvist & Wiksell International, 1986.
■ Planchart, Alejandro. Repertoire of Tropes at Winchester. Princeton, N. J.: Princeton University Press, 1976.
■ Plumley, Yolanda. The Music of the Medieval Liturgical Drama in France and England. New York: Garland, 1989.
■ Randel, Don Michael. An Index to the Chant of the Mozarabic Rite. Princeton, N. J.: Princeton University Press, 1973.
■ Rankin, Susan, ed. Music in Medieval English Liturgy. Oxford: Oxford University Press, 1993.
■ Soltner, Louis. Solesmes and Dom Guéranger, 1805–1875. Orleans, Mass.: Paraclete Press, 1995.
■ Steiner, Ruth. Studies in Gregorian Chant. Aldershot, Hampshire, England: Ashgate, 1999.
■ Szövérffy, Joseph. Repertorium hymnologicum novum. Berlin: Classical Folia Editions, 1983–.
■ Van der Werf, Henrik. The Emergence of Gregorian Chant: A Comparative Study of Ambrosian, Roman, and Gregorian Chant. Rochester, N. Y.: H. van der Werf, 1983.
3. Polyphony
■ Apel, Willi. The Notation of Polyphonic Music, 900–1600. 5th ed. Cambridge, Mass.: Mediaeval Academy of America, 1961.
■ Bent, Margaret. Counterpoint, Composition, and Music Ficta. New York: Routledge, 2002.
■ Berger, Karol. Musica Ficta: Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge: Cambridge University Press, 1987.
■ ———. Theories of Chromatic and Enharmonic Music in Late Sixteenth-Century Italy. Studies in Musicology 10. Ann Arbor, Mich.: UMI Research Press, 1980.
■ Bossuyt, Ignace. Flemish Polyphony. Leuven, Belgium: Davidsfonds, 1994.
■ Bradshaw, Murray C. The Origin of the Toccata. Rome: American Institute of Musicology, 1972.
■ Carver, Anthony F. "Cori Spezzati": The Development of Sacred Polychoral Music to the Time of Schütz. 2 vols. Cambridge: Cambridge University Press, 1988.
■ Cummings, Anthony M. "Toward an Interpretation of the Sixteenth-Century Motet." Journal of the American Musicological Society 34 (1981): 43–59.
■ Everist, Mark. French Motets in the Thirteenth Century. Cambridge: Cambridge University Press, 1994.
■ Falck, Robert. The Notre Dame Conductus: A Study of the Repertory. Henryville, Pa. Institute of Mediaeval Music, 1981.
■ Fuller, Sarah. "Defending the Dodecachordon: Ideological Currents in Glarean’s Modal Theory." Journal of the American Musicological Society 49 (1996): 191–224.
■ Gombosi, Otto. "About Organ Playing the Divine Service, circa 1500." Essays on Music in Honor of Archibald Thompson Davison. Cambridge, Mass.: Harvard University Press, 1957.
■ Huot, Sylvia. Allegorial Play in the Old French Motet: The Sacred and the Profane in Thirteenth-Century Polyphony. Stanford, Calif.: Stanford University Press, 1997.
■ Karp, Theodore. The Polyphony of Saint Martial and Santiago de Compostela. Berkeley: University of California Press, 1992.
■ Köhler, Rafael. Die Cappella Sistina under den Medici-Päpsten, 1513–1534. Kiel: Ludwig, 2001.
■ Kurtzmann, Jeffrey G. "Tones, Modes, Clefs, and Pitch in Roman Cyclic Magnifi-cats of the 16th Century." Early Music 22 (1994): 641–64.
■ Leichtentritt, Hugo. Geschichte der Motette. 1st ed. 1908. Hildesheim: Georg Olms, 1967.
■ Lockwood, Lewis. The Counter-Reformation and the Masses of Vincenzo Ruffo. Venice: Fondazione Giorgio Cini, 1970.
■ Lowinsky, Edward E. Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de’ Medici, Duke of Urbino. Chicago: University of Chicago Press, 1968.
■ Luce, Harold T. The Requiem Mass from its Plainsong Beginnings to 1600. Tallahassee: Florida State University Press, 1958.
■ Macey, Patrick. "Savonarola and the Sixteenth-Century Motet." Journal of the American Musicological Society 36 (1983): 442–52.
■ ———. "The Lauda and the Cult of Savonarola." Renaissance Quarterly 45 (1992): 439–83.
■ McGee, Timothy J. Medieval and Renaissance Music: A Performer’s Guide. Toronto: Toronto University Press, 1985.
■ Meconi, Honey, ed. Early Music Borrowing. New York: Routledge, 2003.
■ Meier, Bernhard. The Modes of Classical Vocal Polyphony. Trans. Ellen S. Beebe. New York: Broude Bros., 1988. Original 1974.
■ Mielke, Andreas. Untersuchungen zur Alternatim-Orgelmesse. Kassel: Bärenreiter, 1996.
■ Moll, Kevin N. Counterpoint and Compositional Process at the Time of Dufay: Perspectives from German Musicology. New York: Garland, 1997.
■ Owens, Jessie Ann. Composers at Work: The Craft of Musical Composition, 1450– 1600. Oxford: Clarendon Press, 1996.
■ Pesce, Dolores. Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance. Oxford: Oxford University Press, 1996.
■ Pozzi, Giovanni. Alternatim. Milan: Adelphi, 1996.
■ Reynolds, Christopher. Papal Patronage and the Music of St. Peters, 1380–1513. Irvine: University of California Press, 1995.
■ Robertson, Alec. Requiem: Music of Mourning and Consolation. New York: Praeger, 1968.
■ Roche, Jerome. North Italian Church Music in the Age of Monteverdi. Oxford: Clarendon Press, 1984.
■ Sanders, Ernest H. French and English Polyphony of the 13th and 14th Centuries: Style and Notation. Aldershot, Hampshire, England: Ashgate, 1998.
■ Saunders, Suparmi Elizabeth. The Dating of the Trent Codices from their Watermarks: With a Study of the Local Liturgy of Trent in the Fifteenth Century. New York: Garland, 1989.
■ Selfridge-Field, Eleanor. Venetian Instrumental Music from Gabrieli to Vivaldi. Oxford: Blackwell, 1975. Rpt. Dover: 1994.
■ Sherr, Richard. Papal Music and Musicians in Late Medieval and Renaissance Rome. Oxford: Clarendon Press, 1998.
■ Southern, Eileen. The Buxheim Organ Book. Brooklyn, N. Y.: Institute of Mediaeval Music, 1963.
■ Sparks, Edgar H. Cantus Firmus in Mass and Motet, 1420–1520. Berkeley: University of California Press, 1963.
■ Stephan, Wolfgang. Die burgundisch-niederländische Motette zur Zeit Ockeghems. Kassel: Bärenreiter, 1937. Rpt. 1973.
■ Stevenson, Robert M. Spanish Cathedral Music in the Golden Age. Berkeley: University of California Press, 1961.
■ Tischler, Hans. Conductus and Contrafacta. Ottawa: Institute of Mediaeval Music, 2001.
■ Tinctoris, Johannes. Terminorum Musical Diffinitorium / Dictionary of Musical Terms. Trans. Carl Parrish. New York: Norton, 1963.
■ Van der Werf, Hendrik. Integrated Directory of Organa, Clausulae, and Motets of the Thirteenth Century. Rochester, N. Y.: H. van der Werf, 1989.
■ Van Wye, Benjamin D. "Ritual Use of the Organ in France." Journal of the American Musicological Society 33 (1980): 287–325.
■ Ward, Lynn Halpern. "The Motetti Missales Repertory Reconsidered." Journal of the American Musicological Society 39 (1986): 491–523.
■ Weber, Edith. Le Concile de Trente et la Musique: De la Réforme à la Contre-Réform. Paris: H. Champion, 1982.
■ Wiering, Frans. The Language of the Modes. Studies in the History of Polyphonic Modality. New York: Routledge, 2001.
■ Wright, Craig. Music and Ceremony at Notre Dame of Paris, 500–1550. New York: Cambridge University Press, 1991.
4. Since 1700
■ Archbold, Lawrence, and William J. Peterson. French Organ Music: from the Revolution to Franck and Widor. Rochester, N. Y.: University of Rochester Press, 1995.
■ Arnold, Denis and Elsie Arnold. The Oratorio in Venice. London: Royal Musical Association, 1986.
■ Balado, J. L. Gonzalez. The Story of Taizé. 3rd rev. ed. Collegeville, Minn.: Liturgical Press, 1988.
■ Daly, Kieran Anthony. Catholic Church Music in Ireland, 1878–1903: the Cecilian Reform Movement. Dublin: Blackrock, 1995.
■ Joncas, J. Michael. "Musical Semiotics and Liturgical Musicology: Theoretical Foundations and Analytic Techniques." Ecclesia Orans 8 (1991): 181–206.
■ Koch, Jakob Johannes. Traditionelle mehrstimmige Messen in erneuerter Liturgie— ein Widerspruch? Regensburg: Pustet, 2002.
■ Kubicki, Judith M. and Jacques Berthier. Liturgical Music as Ritual Symbol: A Case Study of Jacques Berthier’s Taizé Music. Leuven, Belgium: Peeters, 1999.
■ Laird, Paul R. Towards a History of the Spanish Villancico. Warren, Mich.: Harmonie Park Press, 1997.
■ Love, Andrew Cyprian. Musical Improvisation, Heidegger and the Liturgy — A Journey to the Heart of Hope. Lewiston, N. Y.: Edwin Mellen, 2003.
■ MacIntyre, Bruce C. The Viennese Concerted Mass of the Early Classic Period. Ann Arbor, Mich.: UMI Research Press, 1986.
■ Madden, Lawrence J. The Awakening Church: 25 Years of Liturgical Renewal. Collegeville, Minn.: Liturgical Press, 1992.
■ Murray, Michael. French Masters of the Organ: Saint-Saëns, Franck, Widor, Vierne, Dupré, Langlais, Messiaen. New Haven, Conn.: Yale University Press, 1998.
■ Pierre, Constant. Histoire du Concert Spirituel: 1725–1790. Paris: Société Française de Musicologie, 1975.
■ Unverricht, Hubert. Der Caecilianismus: Anfänge, Grundlagen, Wirkungen: Internationales Symposium zur Kirchenmusik des 19. Jahrhunderts. Tutzing, Germany: H. Schneider, 1988.
5. Transcultural
■ Duncan, Stephen F. A Genre in Hindusthani Music (Bhajans) as Used in the Roman Catholic Church. Lewiston, N. Y.: Edwin Mellen Press, 1999.
■ Klein, Christopher. Messkompositionen in Afrika: ein Beitrag zur Geschichte und Typologie der katholischen Kirchenmusik Afrikas. Göttingen: Edition Re, 1990.
■ Worst, John. A Nigerian Journal. Grand Rapids, Mich.: Calvin College, 1984.